Songs New Movies Hindi 'LINK'

Shirley Setia is a New Zealand singer and actress known for her work in the Indian film and music industries.[3][4][5] Born in Daman, India in the former union territory of Daman and Diu, she immigrated with her family to Auckland and came to attention as a YouTube musician uploading covers of Bollywood songs while still a student at the University of Auckland. Setia subsequently featured in the Forbes magazine, where she was referred to as "Bollywood's Next Big Singing Sensation".

A. R. Rahman made his debut in Indian Music Industry with the 1992 Tamil film Roja. In his three decade long career, he has composed and produced original scores and songs for more than 145 films in various languages, namely Tamil, Hindi, Telugu, Malayalam, English, Persian and Mandarin.

Desh Ka Salaam was a precursor to the Jana Gana Mana album. This 10-minute-long short film features 4 songs, out of which 3 were composed by Rahman. Several leading vocalists paired with Rahman for this short musical film.Track list

Yash Raj Films, Shah Rukh Khan, Deepika Padukone and John Abraham officially announced Pathaan on 2 March 2022 on their social media accounts, revealing the release date with a first look teaser.[11] It was previously teased by other cast members, including Salman Khan and Vishal Dadlani, on various occasions before. Dadlani announced the film on Twitter, stating, "No number from the past matters, no number in the future is too big. The whole world is waiting for Shahrukh, more importantly, we're all working on a kickass film with great songs."[12] This film is YRF's first Dolby Cinema.[13]

On 29 December 2022, the Central Board of Film Certification asked the filmmakers to make some changes in the film, including in its songs citing culture and faith.[54] The film went through some minor changes though the saffron dress scene in the song "Besharam Rang" was reportedly retained.[55] Pathaan was later granted a U/A certificate by the Board.[1]

The first song recorded in India by Gauhar Jaan in 1902 and the first Bollywood film Alam Ara (1931) were under Saregama, India's oldest music label owned by RPSanjiv Goenka Group.[3] Linguistically, Bollywood songs tend to use vernacular Hindustani, mutually intelligible to self-identified speakers of both Hindi and Urdu, while modern Bollywood songs also increasingly incorporate elements of Hinglish.[4] Urdu poetry has had a particularly strong impact on Bollywood songs, where the lyrics draw heavily from Urdu poetry and the ghazal tradition.[5] In addition, Punjabi is also occasionally used for Bollywood songs.

Right from the advent of Indian cinema in 1931, musicals with song numbers have been a regular feature in Indian cinema.[9] In 1934 Hindi film songs began to be recorded on gramophones and later, played on radio channels, giving rise to a new form of mass entertainment in India which was responsive to popular demand.[9] Within the first few years itself, Hindi cinema had produced a variety of films which easily categorised into genres such as "historicals", "mythologicals", "devotional, "fantasy" etc. but each having songs embedded in them such that it is incorrect to classify them as "musicals".[1]

For over five decades, these songs formed the staple of popular music in South Asia and along with Hindi films, was an important cultural export to most countries around Asia and wherever the Indian diaspora had spread. The spread was galvanised by the advent of cheap plastic tape cassettes which were produced in the millions until the industry crashed in 2000.[9] Even today Hindi film songs are available on radio, on television, as live music by performers, and on media, both old and new such as cassette tapes, compact disks and DVDs and are easily available, both legally and illegally, on the internet.[1]

The various use of languages in Bollywood songs can be complex. Most use variations of Hindi and Urdu, with some songs also including other languages such as Persian, and it is not uncommon to hear the use of English words in songs from modern Hindi movies. Besides Hindi, several other Indian languages have also been used including Braj, Avadhi, Bhojpuri, Punjabi, Bengali and Rajasthani.

In a modern globalisation standpoint, Bollywood music has many non-Indian influences, especially from the West.[12] Many Hindi film music composers learned and mimicked Hollywood's style of matching music to scene atmospheres into their own film songs, the result being Bollywood music. These songs can be considered a combination of Western influences and Hindi music.[13]

Songs in Bollywood movies are deliberately crafted with lyrics often written by distinguished poets or literati (often different from those who write the film script), and these lyrics are often then set to music, carefully choreographed to match the dance routine or script of the film. They are then sung by professional playback singers and lip-synched by the actors. Bollywood cinema is unique in that the majority of songs are seen to be sung by the characters themselves rather than being played in the background.[citation needed] Although protagonists sing often, villains in films do not sing because music and the arts are a sign of humanity.[14] In Western cinema, often a composer who specialises in film music is responsible for the bulk of music on the film's soundtrack, and while in some films songs may play an important part (and have direct relationship to the subject of the film), in Bollywood films, the songs often drive large-scale production numbers featuring elaborate choreography.

The key figure in Bollywood music production and composition is the music director. While in Western films, a "music director" or "music coordinator" is usually responsible for selecting existing recorded music to add to the soundtrack, typically during opening and closing credits, in Bollywood films, the "music director" often has a much broader role encompassing both composing music/songs specifically for the film and (if needed) securing additional (licensed) music. In this sense, a Bollywood music director also plays the role of a composer and music producer.

The lyricist of Bollywood songs is less likely to be the same composer or music director, as Bollywood films often go to great lengths to include lyrics of special significance and applicability to the film's plot and dialogue, and/or the words of highly regarded poets/lyricists set to music written specifically for such words in the film, as noted above.

Bollywood film songs have been described as eclectic both in instrumentation and style.[15] They often employ foreign instruments and rework existing songs, showing remarkable inventiveness in the reinvention of melodies and instrumental techniques.[16]

Hindi dance music encompasses a wide range of songs predominantly featured in the Bollywood film industry with a growing worldwide attraction. The music became popular among overseas Indians in countries such as South Africa, the United Kingdom and the United States and eventually developed a global fan base.[21]

Indian musicians began fusing rock with traditional Indian music from the mid-1960s onwards in filmi songs produced for popular Bollywood films. Some of the more well known early rock songs (including styles such as funk rock, pop rock, psychedelic rock, raga rock, and soft rock) from Bollywood films include Kishore Kumar's "O Saathi Re" in Muqaddar Ka Sikandar (1978), Mohammed Rafi's "Jaan Pehechan Ho" in Gumnaam (1965), and Asha Bhosle songs such as "Dum Maro Dum" in Hare Rama Hare Krishna (1971), "Ae Naujawan Hai Sab" in Apradh (1972), and "Yeh Mera Dil Pyar Ka Diwana" in Don (1978).

The Pakistani Qawwali musician Nusrat Fateh Ali Khan had a big impact on Bollywood music, inspiring numerous Indian musicians working in Bollywood, especially during the 1990s. However, there were many instances of Indian music directors plagiarising Khan's music to produce hit filmi songs.[44][45] Several popular examples include Viju Shah's hit song "Tu Cheez Badi Hai Mast Mast" in Mohra (1994) being plagiarised from Khan's popular Qawwali song "Dam Mast Qalandar", "Mera Piya Ghar Aya" used in Yaarana (1995), and "Sanoo Ek Pal Chain Na Aaye" in Judaai (1997).[44] Despite the significant number of hit Bollywood songs plagiarised from his music, Nusrat Fateh Ali Khan was reportedly tolerant towards the plagiarism.[45][46] One of the Bollywood music directors who frequently plagiarised him, Anu Malik, claimed that he loved Khan's music and was actually showing admiration by using his tunes.[46] However, Khan was reportedly aggrieved when Malik turned his spiritual "Allah Hoo, Allah Hoo" into "I Love You, I Love You" in Auzaar (1997).[45] Khan said "he has taken my devotional song Allahu and converted it into I love you. He should at least respect my religious songs."[46]

A number of Bollywood soundtracks also plagiarised Guinean singer Mory Kanté, particularly his 1987 album Akwaba Beach. For example, his song "Tama" inspired two Bollywood songs, Bappi Lahiri's "Tamma Tamma" in Thanedaar (1990) and "Jumma Chumma" in Laxmikant-Pyarelal's soundtrack for Hum (1991), the latter also featuring another song "Ek Doosre Se" which copied his song "Inch Allah".[47] His song "Yé ké yé ké" was also used as background music in the 1990 Bollywood film Agneepath, inspired the Bollywood song "Tamma Tamma" in Thanedaar, and was also copied by Mani Sharma's song "Pellikala Vachesindhe" in the 1997 Telugu film, Preminchukundam Raa.[47]

What better way to maintain our sanity, hope and effectively empathise with each other, than to listen to motivational songs (with powerful and empowering lyrics) that help in forming powerful social connections? Whether it is during the pandemic or when your team is not performing too well, music can always come to the rescue! Here is a list of 20 motivational Bollywood songs that inspire team work : 2b1af7f3a8